Posted 11 hours ago
Posted 11 hours ago

popculturesavvyangel:

charlesoberonn:

teamstarpluskid:

mewchamp:

mewchamp:

"Ew you’re a guy and like the color pink are you gay?"

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gay blue pink LGBT WWII color vlogbrothers Hank Green gender lgbtqia nerdfighteria Hitler sueishappygay blue pink LGBT WWII color vlogbrothers Hank Green gender lgbtqia nerdfighteria Hitler sueishappy
gay blue pink LGBT WWII color vlogbrothers Hank Green gender lgbtqia nerdfighteria Hitler sueishappygay blue pink LGBT WWII color vlogbrothers Hank Green gender lgbtqia nerdfighteria Hitler sueishappy
gay blue pink LGBT WWII color vlogbrothers Hank Green gender lgbtqia nerdfighteria Hitler sueishappygay blue pink LGBT WWII color vlogbrothers Hank Green gender lgbtqia nerdfighteria Hitler sueishappy

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I’ve been waiting for this post all my life

Posted 11 hours ago
Posted 11 hours ago

the-average-gatsby:

reflectingblue:

raakellars:

bansheeandahunter:

False rape accusations are an anomaly.

True rape accusations are a norm.

You’re, quite literally, more likely to be killed by a comet than falsely accused of rape.

Re-blog now, read later.

"Because 1 in 33 men will be raped in his lifetime, men are 82,000x more likely to be raped than falsely accused of rape. It seems many of us would do well to pay more attention to how rape culture affects us all than be paranoid about false accusers.”

hey everyone the concept behind this post is very important but the execution is completely off and that’s mainly due to poor fact-checking and an absolute mangling of statistics

if you want a short version of the upcoming rant, it’s basically:

  • many of these statistics are important - false rape reports are in fact around 2-8%, 1 in 33 men will be raped in his lifetime, and using false rape reports as a counterargument to feminism as a whole is still absolutely ridiculous.
  • HOWEVER, the statistics in the above posts trivialize actual false rape reports because of some terrible analysis of statistics
  • if you actually do the math, the chance of being falsely accused of rape as a “typical male living in the US” is actually about 2,500 times greater than in the article linked
  • please always fact check anything important you reblog instead of blindly accepting it
  • PLEASE NEVER LINK TO A BUZZFEED ARTICLE AS A RELIABLE SOURCE

sources and math in the read more

Read More

Posted 11 hours ago

enchanting-ravenclaw:

enchanting-ravenclaw:

enchanting-ravenclaw:

a kid from my high is fucking trending on facebook because of a stupid petition to get a senior photo of him holding a cat into the yearbook…

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(x)

UPDATE!!

My principal decided to join him in a photo.

The new photograph will go in the yearbook as a way to raise awareness for American Society for the Prevention of Cruelty to Animals (ASPCA) and rescue animals like Mr. Bugglesworth and Vivienne.

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Posted 12 hours ago

HOW NOT TO DRAW ARCHERY: AN ART TUTORIAL.

eschergirls:

badarcherart:

katieispainting:

DISCLAIMER: I was going to make this “how to draw archery”, but that would probably have taken the rest of my life. This is all stuff I’ve learned from practicing archery in the past, and the tips I’ve given should translate to many, if not all styles of archery. If you take issue with any of the information given here please contact me, as I’m aware I’m not an expert!

Okay, I’ve seen too many bad drawings of archery online. Most of the time I can overlook it, but I’ve made this guide to address drawings where a) the character would hurt/maim themselves if they shot like that, or b) if you tried to shoot like that, the arrow would just make a sad trajectory to the ground, the aerodynamic equivalent of a “WAH-WAH” on a trumpet.

With this in mind:

POINT ONE: WHY IS YOUR ARM LIKE THAT

If successful archery is about one thing, it is about consistency - being able to make your body take exactly the same stance over and over and over again. Your body is a key part of the weapon, and just as you wouldn’t want a gun that had components that wobbled and shifted, you don’t want your body to.

With this in mind, characters shooting, particularly at full draw (this is when the arm pulling the string is stretched all the way back), should have the arm that is holding the bow straight. Not locked - I’ll get into that - but straight. A straight arm is easy to replicate - a bent arm could be at a different angle each time. Simple as that.

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POINT TWO: DON’T SHOOT YOUR TIT OFF

See this diagram

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the dotted line is the path the string will take. The string is extremely tight - it has to be for the bow to work. It will therefore move extremely fast. Do you want any part of your body to be in the way of that.

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if you have any part of your body (elbows and breasts/pectoral muscles tend to be the worst offenders) in the line of the string, they will get hit. And this will hurt. A LOT. Google “archery bruise” to see how. Yikes. Furthermore, if your arm or chest gets in the way, it’ll knock the arrow off course, and in addition to having sliced your nipple off you’ll have missed your shot too. So KEEP STUFF OUT OF THE PATH OF THE STRING.

side note: this is where the myth of amazons chopping their boobs off came from. Also, why archers sometimes wear chest-guards - this looks like a one-cupped unisex bra. Stylish. Also why archers often wear protective gear called a bracer. This goes on the tender inside of the arm and wrist that might get clipped by the string, not the outside that is nowhere near it.

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POINT THREE: WHAT ARE YOU DOING WITH YOUR FINGERS STOP THAT

Okay I keep seeing this

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Having the fingers clasping the arrow like this makes it highly likely that the pressure from them will send the arrow off-course.

Many modern bows have an arrow rest so you needn’t rest the arrow on your hand at all. If that isn’t the case, it works better to rest the arrow on the first knuckle of the index finger (where it meets the hand). If it’s just being used as a platform, the finger shouldn’t be able to exert enough pressure to make the shot go all over the place. Also you won’t end up shredding your fingers with the fletchings.

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Talking of that…

POINT FOUR: DON’T SLICE YOUR FINGERS OFF

remember what I said earlier about how incredibly taut bowstrings are

imagine pulling that back with your soft fleshy fingers

it is basically like cheesewire through…soft fleshy fingers.

Use protection. Illustrated below are the tab and archery glove, or just go to google or something, stop the madness.

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POINT FIVE: PHYSICS DOESN’T WORK LIKE THAT

A strung bow is taut. The body of the bow is pulled by the (very tight) string, making a D shape. An unstrung bow will be straighter.

The tension in the string means a string should always be a straight line. If the bow is drawn, it’s two straight lines. 

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If there is any curve in the string, the arrow will probably fall limply to the floor.

ALSO. When the string is drawn back, it exerts more pressure on the bow, creating that really exaggerated curve. This is where the power comes from. (I think. I am not physics). Basically, if you’re drawing a character at full draw, the string should be straight and the bow should be curved. If the opposite is true something very wrong has happened and you should be sad.

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OKAY! I hope this has been helpful, if you have any questions or concerns let me know. And if in doubt, doctor google will help you - look at olympic or professional archers, and see how they’re standing and how their bows behave.

GOOD LUCK DRAWING!

Very important!

As a note, number one can sometimes be correct if you don’t have an armguard, but you only bend it just enough that the string won’t his your arm and give you rope-burn. And you really shouldn’t be shooting without safety gear, anyway.

Since archery shows up an inordinate amount on this blog, I thought this tutorial was relevant and people might find it useful. :)

Posted 16 hours ago

shadowgirl7:

ottermatopoeia:

mattniskanenseyebrows:

OCTOBER IS NEXT WEEK

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OCTOBER IS THIS WEEK
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image OCTOBER IS TOMORROW.

Posted 16 hours ago
untalentedandhorny:

awwww-cute:

"Oh boy Oh boy, we got a call! Let’s roll, partner!"

HE OPENS AND CLOSES THE DOOR

untalentedandhorny:

awwww-cute:

"Oh boy Oh boy, we got a call! Let’s roll, partner!"

HE OPENS AND CLOSES THE DOOR

Posted 16 hours ago

allonsyraerae:

AAAAALLRIGHT ASPIRING CONCEPT ARTISTS, ILLUSTRATORS, ANIMATORS, AND OR JUST ARTISTS IN GENERAL.

THIS IS A BEAUTIFUL EXERCISE I REALLY RECOMMEND YOU ALL DO.

In the red, we have a skeletal study—finding out where the bones or structure of the character would be. In blue we have the peices of the characters split into different shapes to make them easier to draw and remember. Green is mass shapes and masses. Purple is the line of action.

Guys, I have like. A bazillion times more understanding of the characters above than I had before. I completely recommend doing this: study their skeleton and then dominant shapes and masses. It will give you a better understanding of how your character moves and is held together.

The line of motion helps you make your character move in a more interesting fashion. It helps you see their movement and motion in a better light, and where there weight is being distributed.

And there you go.

Awesome exercise. 

Do it.

Posted 16 hours ago
  1. breaks into your room: ITS ALMOST OCTOBER
  2. rips open blinds: SMELL THE PUMPKINS
  3. pulls you out of bed: LOOK AT THE LEAVES
  4. leans in really close:
  5. feel the spoopy